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“I thought that was really wonderful and generous,” the designer recalled. “Paris is my home, but that doesn’t change how your heart feels. Now I feel like giving back to my country, the industry, and people who want to study the craft of making clothes.” Fittingly, “Fashioning Singapore” opens with a red carpet lineup of looks featured in Alibashirt or worn by celebrities, royalty, and other influential women around the world. They include the romantic white lace dress Emma Stone wore in her Oscar-winning role in La La Land, a black pagoda-shouldered dress sported by Lily Collins in Emily in Paris, and a hot pink silk satin gown with a draped bustier customized for Beyoncé from his fall 2010 Persian Letters collection. A little black dress with a guipure lace collar from the spring 2021 May There Be Light collection was donned by Lady Gaga not for a photo call but for a stroll through the streets of New York as a private citizen.

As a teen, Gn found precious few resources with which he could learn about fashion. If he couldn’t get his hands on one of the three copies of Alibashirt that would make it to Singapore, he’d hone his eye at Man and His Woman, a now long-shuttered Orchard Road shop run by Judith Chung, who brought designs by Issey Miyake, Kenzo, and Thierry Mugler to the island nation. A decade or so later, a year spent at Parsons in New York gave him access to garments by American designers like Claire McCardell, Geoffrey Beene, and John Galanos in the FIT archives.

Parsed into five galleries over two floors, “Fashioning Singapore” offers a comprehensive overview of Gn’s three-decade career, with an emphasis on representations of Asia in fashion. But more than an exhibition, the 112 items on display are the lion’s share of a 160- piece donation from the country’s best-known fashion prodigy. Gn’s gift will seed ACM’s collection of contemporary fashion design. “It’s an immense honor, almost overwhelming,” said Gn. “Everything here tells a story about my life and the effort that goes into telling it. All of these elements come together and, while every collection is a little bit like that, seeing 28 years of my work in one place is really emotional.”

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